The Marian Goodman Gallery’s has invitations, envelopes, e-mail announcements and adverts for the Gallery’s extensive exhibition programme.
Paul Ryan’s exhibition Rebound, had designed a small publication of notes and sketches about the experience of caring for, grieving for and sometimes seeing the return to health of those close to him. The pages of the booklet were three-hole-sewn with red thread.
1914 Now was a film installation commissioned by Alison Moloney of the Centre, comprising four film works. It encouraged the curators and filmmakers to consider the notion of modernity in relation to fashion, focusing on a particular moment of their choice between 1914 and 2014.
A Singular Form was an exhibition held at the Vienna Secession. Curated by Pablo LaFuente, the show brought together works of art and everyday objects whose nature and contextual presentation proposed new uses and meanings.
After my last research blog I have been developing a poster design whilst focussing on a strong and concise typographic layout, whilst using my brand colours to create a background.
To promote my literary festival, once upon, I have been researching other literary festival posters to better develop my own promotional poster.
I have been working on finalising my brand identity for my FMP. I have been focussing on incorporating a motif and design, rather than just having a blank colour, which previously just looked undeveloped and unfinished.
Today I have finished my 3D element for my FMP, I set myself the task of interpreting the phenomenon of reading, and how could I express that in a 3D way?
I have been working towards an updated version of my explainer video for Stepping Stone. After I changed my brand identity, which was black, brown, dull and miserable; now I have breathed life into the branding with the use of colour and lighter tones.